Drawing Distinctions - Or…Horizons, By Another Name
This series resulted from a conceptual convergence:
First, I’m fascinated by the variegated backgrounds I paint. I think of them as complex color fields. They often stand on their own.
However, I also have this idea that emerged from another fascination: Drawing Distinctions.
That concept arose from an glimmering sparked 50 years ago by my encounter with, G. Spenser Brown’s book, Laws of Form. In it, he made this statement that was sufficiently profound it has haunted me all that time. The sequence starts:
“Draw a distinction……Call it the first distinction…..” Then, liberally paraphrased, it continues: Think of this move as creating things to consider where there were none before. And, once created, these distinctions exist; they articulate aspects of our world we had never before registered. Maybe a this side and a that side. A symmetry and an asymmetry….
Combining my backgrounds with a different, narrow, jagged, contrasting slash of colors creates a distinction, both with the severing by a boundary and the contrast in colors and textures.
Blue Rift. 22 x 30 inches. Acrylic on Paper.
The Sun Also Rises — Acrylic on Paper. 22 x 30 Inches.
Fault Line in the Sky — 22 x 30 Inches. Acrylic on Paper.
Magenta on Gray Texture — Acrylic on Paper — 22 x 30 inches.
Magenta and Teal on Black
Black on Variations of Yellow — Acrylic on Paper — 22 x 30 Inches.
Red Horizon
Low Threshold — Arts in the Airport – Fall 2020 Exhibition — Acrylic on Paper. 22 x 30 Inches.
At the Edge of Darkness